The Over-Sexualisation of Female Voices in Animation from Jodi Brown's blog

It's high time we address the proverbial elephant in the animation industry's room—the persistent over-sexualisation of british female voice over. Whether it's high-pitched tones that infantilise or sultry whispers that objectify, the vocal representation of women in animation is problematic. This is not a minor issue to sweep under the rug; it has deep-seated implications that extend beyond the screen.

From Disney princesses to adult-oriented anime, the variety of female characters in animated features is impressively wide. What is far less varied, however, is the range of voices attributed to these characters. Too often, they are painted with the same vocal brush—either overly innocent or excessively sensual. This lack of nuance isn't just disappointing; it's troubling.

Implications for Young Audiences

Let's not forget who the primary audience is for many animated series—children. The damage done by over-sexualising female voices can't be underestimated, especially when it comes to setting gender expectations. Young girls are left with the impression that femininity equates to a specific tone or pitch, often one that objectifies them or leaves them with little room for authentic expression. Similarly, young boys internalise these messages, forming a skewed perspective on what it means to be a woman.

What Are We Really Selling?

The thing is, producers know that sex sells, but at what cost? Using overly sexualised female voices in animation to attract an audience is a cheap trick that ultimately perpetuates harmful gender norms. Do we really want to build an entertainment landscape that thrives on the objectification of half its audience?

Female Empowerment versus Objectification

The irony is palpable. In an era where strong, empowered female characters have begun to populate the landscape of animated features, their voices often betray them. Imagine a fiercely independent character having to speak in sultry whispers or high-pitched squeals. What message does that send? It says, "Sure, be strong, be independent, but don't forget to be sexy while you're at it."

Case Studies: What's Going Wrong?

Take Jessica Rabbit as an example. A character designed to ooze sex appeal is one thing, but when this is the go-to vocal style for a broad range of female characters, it's a problem. Likewise, consider the Japanese anime industry, where female characters are frequently assigned shrill, infantilised voices, regardless of their role or personality in the story. These are not isolated incidents but symptoms of a systemic issue.

The Way Forward

We've had enough. The public is ready for change, and it's up to those within the industry—animators, directors, and, most importantly, voice-over artists—to push for it. There needs to be a concerted effort to diversify the range of female voices in animation, and that starts with rejecting the status quo.

Conclusion

The over-sexualisation of female voices in animation is a severe issue that demands immediate attention. This is not just about representation; it's about the very norms and values that we, as a society, endorse. If we genuinely want to create a more equitable future, then it's time we extend the push for diversity and inclusion to every aspect of our media—even the voices that bring our animated characters to life.